#PotterTaughtUs: 20th Anniversary of Philosopher’s Stone

June 26, 2017, was the 20th anniversary of the release of Harry Potter and the Philosopher’s Stone, the original UK release. Potterheads from all corners of social media came together to celebrate this magical date. From sharing memories of midnight book releases to discussing favorite characters, Twitter and Facebook was filled with Potter nostalgia. My favorite hashtag to arise from this trip down memory lane is #PotterTaughtUs.

Happy 20th anniversary to Harry Potter and the Philosopher’s Stone!

Image retrieved from this Wikipedia entry

#PotterTaughtUs has been used to share all the lessons this series has given to its readers. From the joys of reading to the importance of acceptance, Harry Potter has bestowed valuable life lessons on not just children but readers of all ages. Children who have read Harry Potter have even shown greater signs of tolerance towards ostracized groups than those who have not. Of course, I don’t need a study to tell me how much the books and their writer have taught me.

Back in April I told you about Rowling’s influences on me as a writer and a person. I could fill an entire book with how Rowling and her work have molded me. The most important lessons that the books have taught me, though, are to have compassion for everyone and that you are never truly alone.

 

“Though we may come from different countries and speak in different tongues, our hearts beat as one. –Michael Gambon as Dumbledore, Harry Potter and the Goblet of Fire

All the most-loved characters in this series are outcasts. Luna Lovegood is pleasantly bizarre; Hermione is a bookworm and a Muggle-born; Ron is the youngest of six boys and comes from a poor “blood traitor” family; Ginny is the only girl out of seven children and is a tough, smart, pretty girl at that; Hagrid is half-giant; Remus is a werewolf; Sirius holds very different views from his family and is an escaped, falsely-accused prisoner; Tonks and her mother were disowned; Neville is shy and nervous and lives with his grandmother; even Draco, the rich pureblood, is an outcast because he does not belong with the Death Eaters or outside of them. And, yes, Harry Potter is different from everyone because he is marked for greatness.

With all of these beloved characters treated as outcasts, it is only natural that avid readers of Harry Potter feel a special connection with so-called “misfits.”

Connecting ostracized characters with the “good” side and prejudice with the “bad” side helps readers to subconsciously form the opinion that prejudice is not acceptable. In showing the struggles of people going through such prejudice–Hermione’s struggles with being called a “mudblood,” for example–Harry Potter readers grow the ability to see things from another person’s perspective and develop compassion for ostracized groups, people whom they may not feel a connection to otherwise.

Congratulations to the woman who started it all.

Image retrieved from gettyimages

I probably had a predisposition for compassion for ostracized groups given my upbringing. My mother always taught me that a human is a human, no matter their religion, race, sexuality, gender identity, ethnicity, nationality, etc., and Disney has helped to reinforce her lessons. Still, the influence of Harry Potter is undeniable.

 

“I enjoyed the meetings, too. It was like having friends.” –Luna Lovegood, Harry Potter and the Half-blood Prince

Out of everything #PotterTaughtUs, my favorite has to be that no one is ever truly alone.

Harry, who felt alone among the Dursleys and the Muggle world, finds true friends in Hermione and Ron and learns that his dead loved ones are still with him. Luna is one-of-a-kind and an outsider but finds her place among Harry and his friends. Remus, although timid and a werewolf, finds love both in friends and in Tonks. Even Draco has his parents, and at least his mother loves him no matter what. In the end, the only ones who are alone are those who deny love and its power.

If you lose loved ones to death or distance, their love is still with you and will always stay with you. You just need to remember that they’re there and you will feel them. If you ever feel isolated and like you can’t connect with anyone, you only need to prevail. The friends and family you deserve are out there. So long as you don’t give up, you will find them and then, like Harry and his friends and family (and his friends who are emotionally his family), you will get your “all was well.”

I’m still looking for mine but, thanks to many people who have entered my life in the past few years, I think I’m getting closer each day.

 

Happy anniversary to this beloved series. It has so much more to teach us. Please, go read or re-read these books and discuss in the comments what you think #PotterTaughtUs.

 

Designed by Stephanie Hoogstad circa 2011

Friday Fun-Day Writing Prompt: Postcard Fiction

Happy Friday, readers and writers! Today we have a two-for-one: a writing prompt which doubles as a publishing opportunity. In particular, I’m going to prompt your to write “postcard fiction” and then provide you with a website where you may be able to publish it.

For my portfolio I experimented with a couple flash fiction stories. (The success of those experiments is questionable and the feedback on the portfolio seemed rather mixed.) To be honest, I’m still trying to wrap my mind around “successful” flash fiction and learning what actually makes such fiction good or bad.

Nevertheless, trying to write complete, successful fiction in such a short format is a good way to understand how to utilize all the elements of a good story without wasting a single word. That’s why I continue to grapple with flash fiction and modifying the flash I wrote for my portfolio.

In my attempt to understand this genre, I came across a website called Postcard Shorts. This website, as the name suggests, publishes flash fiction which can fit on a postcard, thus “postcard fiction.” These pieces are complete stories written in 1500 characters (not words but characters) or less.

As always, today’s writing prompt is deceptively simple:

Write a full story with a plot, narrative arc, character development, etc. which could be published on Postcard Shorts. In other words, try and write an entire story using no more than 1500 characters.

Remember, shorter does not mean easier. In fact, I’ve learned that it is much, much harder to write complete and effective stories in shorter formats. It’s probably why my flash fiction has turned out to be no good so far, but you know what they say: practice makes perfect.

Your postcard fiction can be about anything that you feel you can successfully write in under 1500 characters. Once you’re done and feel confident that you have written a good story, I suggest submitting it to Postcard Shorts. The site doesn’t pay but it’s a great way to get your fiction out there if you’re accepted and good practice at receiving rejection if you aren’t.

Well, have fun writing, my friends, and have a great weekend.

 

Designed by Stephanie Hoogstad circa 2011

Revisiting My Old Work III: Just to Set the Record Straight

June 21st: the first day of summer, the summer solstice, the longest day of the year, my birthday. While the first three are debatable (follow this link to see why), the last certainly isn’t. I can also testify that it’s hot enough to be the first day of summer. Of course, I only know what’s it like in Northern California. I’ve been stewing in 107 degrees with only a “portable” AC unit a living room with an open-floor plan (our central AC unit broke and it’s going to take a lot of money to replace it). Other than that, it’s been a pretty good birthday. In honor of my birthday, the solstice, and the heat, I’ve decided to post another of my old poems, “Just to Set the Record Straight”.

Sunset on the summer solstice at Stonehenge

Image retrieved from Express

This poem is a little different from the others. First of all, it’s longer. Second, it’s arguably funnier. Most importantly, it’s technically been published before. Over five years ago it, along with several other of my poems, were published on a blog for Northern Californian poets called Medusa’s Kitchen, which is run by Rattlesnake Press. Here’s the link to the original post if you want to read it. I recommend doing so since I can’t get the formatting right in this post.

Despite its publication, I’m not particularly proud of this poem. Why? I worry that it comes off as whiny in regards to the heat and people not understanding how hot it can get in NorCal. It’s also rather…I don’t want to say “crude” or “poorly-written” but, in hindsight, I feel as though I could’ve done better. Then again, I always feel that way so you should judge it for yourself:

 

Just to Set the Record Straight

Just to set the record straight,

“North” doesn’t always mean “cold,”
and “near mountains” doesn’t always mean “snowy,”
especially when you live in the Valley.

SoCal-ers seem to think NorCal is cold
and that we NorCal-ers have not clue about heat.

They’re the only experts.

Think again.
Summer in the Valley?
IT’S HELL.
No less than 90 degrees,
Often over 100
We NorCal-ers go to SoCal
just to escape our heat;
at least there
there’s something to do.

Even when it’s hot
the lake gets boring.

Trust me.

Still don’t believe me?
Still fooled by the mountains and the word “north?”

Then spend a week in NorCal
in the middle of July with no air conditioning
and watch it get to over 100
just inside the house
and eat cold tomato soup for dinner
and take icy showers every night
and take a drive every day
just to keep cool.
And sleep on the living room floor,
the fan set on high,
’cause your bed’s too hot to sleep in
(You won’t sleep anyway).

Do that and then answer me these:

Still think NorCal is cold?
Still think NorCal-ers don’t know heat?

Didn’t think so.

I just wanted to set the record straight.

 

Maybe you like it, maybe you don’t. My main point in posting this (aside from highlighting the heat I’m boiling in) is to show you that even after something is published you may not feel too good about it.

Another more famous example is Edgar Allen Poe. I’m not talking about “The Raven”, which he wrote to demonstrate what a “perfect poem” was to him. I’m talking about his ever-popular Gothic horror stories. He thought that they were low-brow and trash. However, he knew that they sold well and he had to pay the bills, so he wrote them and sold them. Sometimes you just have to do what you have to do.

And sometimes, as in my case, you think your work is great at the time. Then, as you grow as a writer and expand your reading horizons, you look back and are somewhat embarrassed by your old work. You may think that its publication should vindicate the work but, in your eyes, you’re just never sure if it’s actually any good or if someone had a lapse in judgment or took pity on you.

Rather than hiding from your old work, as I once did, you should embrace it. We are the product of everything we’ve ever done and encountered. To hide that would be to hide a part of ourselves, and we shouldn’t ever do that. We don’t have to go back to who we once were, as a person or as a writer, but we should still accept it and be as truthful about it as we are with any other part of our lives.

Any old work you’d like to share? Any stories about publications you wish had never happened? Share your experiences in the comments below.

Also, a moment of shameless plugging:

I’ve started a GoFundMe page to help raise the $9000 we need to replace our central AC unit plus the duct system. If you’d like to chip in–even just $5 would help–or would be kind enough to spread the word, here’s a link to the campaign: https://www.gofundme.com/air-conditioner-for-110degree-heat.

If you’d like to send some work my way instead of/in addition to, please look me up on Fiverr.

 

Designed by Stephanie Hoogstad circa 2011

Famous Literary Fails that Became Successful

My program has tentatively received the grades for our portfolios (nothing is official until the board confirms it at the end of July). I got a good grade but not as good as I would’ve liked. That’s life, right? Even when we’re doing well we always wish we had done a bit better. Things could be worse, though, and just because things aren’t exactly how you want them to be now doesn’t mean you won’t succeed–or have more success–later. That’s why I’ve decided to talk about famous literary fails that flopped when they were first released but are now considered classics.

I knew of one without any research–Herman Melville’s Moby-Dick–but I had to perform a quick search to learn any others. What I found was a list on Cracked which discussed the following:

  1. Brave New World by Aldous Huxley
  2. The Grapes of Wrath by John Steinbeck
  3. Lord of the Flies by William Golding
  4. The Catcher in the Rye by J.D. Salinger
  5. Moby-Dick by Herman Melville
  6. The Lord of the Rings Trilogy by J.R.R. Tolkien

I can only remark on a few of these famous literary fails, so I strongly recommend following the link I’ve provided to learn more about them and how poorly they were originally received. The ones I can discuss from personal experience are Lord of the Flies, The Catcher in the Rye, Moby-Dick, and some of The Lord of the Rings Trilogy.

Lord of the Flies

Good book but disturbing as all get out. I read it in high school (freshman year, I think, but maybe sophomore year, I don’t know) but have not dared pick it up since. It was engaging, fascinating, and an exciting read. The problem? It messed me up pretty badly, more than 1984 but not as badly as The Giver (I’m not kidding, The Giver gave me weird dreams). I don’t know about outside the United States, but I’m sure that all of my U.S. born-and-raised readers can remember being made to read Lord of the Flies.

Lord of the Flies by William Golding

Image retrieved from edtechteacher

But how well was the Nobel Prize Laureate’s novel received in its first running? Less than 3,000 copies were sold.

I suppose I can see why. I don’t imagine that there was that big of an audience for dystopian, faithless novels centered on children back in the day. Frankly, if this book hadn’t been inside in school, I don’t know how many people would have a taste for such books today. Still, there’s definitely a readership for dystopian novels today (and it’s no mystery why).

The Catcher in the Rye

I read this book for a young adult literature class as an undergrad and, to be honest, I don’t remember much of it. It isn’t a bad book; I just wasn’t into it enough to remember anything without re-reading it. It amused me, that much I remember, and Holden annoyed the crud out of me. Maybe it’s because I never felt the need to drink, maybe it’s because I thought Holden was an idiot who didn’t think things through, but no matter the reason I just did not like him. I felt sorry for him in many ways and I didn’t really want anything bad to happen to him but that certainly does not mean I have to like Holden as a person.

This book was not knocked down by the numbers as Lord of the Flies was. However, critics had a field day with it. Among other things, they took offense to how vulgar it was. Funny thing is that the language was what felt most real about this book, at least to me. I guess The Catcher in the Rye shows us that when we question society there will be push back; in the long run, though, you will be seen as one of the greats.

Moby-Dick

I’ve been waiting a while to talk about this one. My essay that was accepted into the UC Davis Prized Writing Anthology was written on a chapter of Moby-Dick. That doesn’t mean I’m a fan of the book. In fact, I don’t see myself revisiting in anytime soon. Melville mostly lost me in all the in-depth explanations of the technical sides of whaling. I understand the necessity of the reader knowing about whaling in relation to the story but I had to try really hard not to fall asleep reading those passages. I will give Melville this, Queequeg and Captain Ahab were fascinating. I also loved the end to Ahab’s story, which I won’t discuss here due to spoilers. Still, much of the narrative is too slow and dry for me to return to it before I complete my long, long “to read” list.

How was it received? Very, very, very harshly. It went over people’s heads, many critics flat out didn’t like it and thought it was a “catastrophe,” and some even lobbed personal attacks at Melville. I have yet to come across a classic that was received worse by contemporary critics than Moby-Dick and if you know of any, please let me know in the comments. It seems like a miracle that this book went from zero to hero so drastically. Still, all writers can take heart in that such miracles can and do happen.

Lord of the Rings Trilogy

I saved this one for last because it doesn’t make sense to me. I’ve only read The Hobbit all the way through–and that was when I was a child–but I loved the movies and plan to return to the books as soon as I can. Still, it’s hard to imagine that a series with such a cult following, one which may consist of every fantasy geek in the first world, could have flopped as badly as Lord of the Rings first did.

Mainstream critics panned it and many of Tolkien’s friends grew tired of it when he would read samples to them. One atrocious objection to it was the fact that he was a “career linguist,” not a professional writer. Such elitism is ridiculous and, unfortunately, can happen today, too. However, the vast majority of writers I’ve encountered have been very warm and welcoming no matter what your “other careers” might be, so here’s hoping this divisive trait dies out soon. Another objection was the theme of “industry versus the environment.” I can’t say that similar books won’t receive the same sort of welcome today, at least in the current United States.

Lord of the Rings movie poster. Thank you, hippies, although I could do without Gollum.

Image retrieved from IMDb

Still, the hippie movement demanded the return of Lord of the Rings and, thanks to these “tree-huggers,” we can enjoy this franchise today.

 

Maybe your book won’t sell many copies in its first run. Maybe critics will crush your ego beneath their shoes like a cockroach. Maybe you’ll feel like your work isn’t good enough to see the light of day and want to quit. Before you give up, please remember these books, now considered classics, and how poorly they were received during the authors’ times. These famous literary fails became successful, why not your work?

 

Designed by Stephanie Hoogstad circa 2011

Writers on Writing: Ray Bradbury

Quote retrieved from BrainyQuote

In the spirit of the “All Summer in a Day” writing prompt, today’s “Writers on Writing” will focus on prolific science fiction writer Ray Bradbury. An American author and screenwriter known best for Fahrenheit 451 and The Martian Chronicles, Ray Bradbury worked in science fiction, fantasy, horror, mystery fiction, dystopian fiction, and many other genres. He received the Prometheus Award for Fahrenheit 451 in 1984, was given the National Medal of Arts by President George W. Bush in 2004, and the Ray Bradbury Award from the Science Fiction and Fantasy Writers of America organization was named in his honor. Needless to say, he’s a fantasy/science fiction icon.

I’ve honestly only read two short stories by Bradbury (at least which I know were written by him), “All Summer in a Day” and “Mars is Heaven!” I’m also fascinated and amused beyond all belief by the fact that Fahrenheit 451 is among the most challenged books of recent decades. He also gave writers–and human beings overall–many gems of wisdom, including the one I am discussing today:

Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things.

–Ray Bradbury

The last two lines of that advice immediately put Yoda in my head. “Do or do not, there is not try.”

You could argue that Bradbury’s remarks expand on Yoda’s advice. Bradbury explicitly explains that which Yoda alludes to: overthinking something like a creative act disrupts the flow, which brings the entire act to a screeching halt. You cannot think too much on what you’re doing because you’ll start to imagine all that could go wrong and doubt yourself; when you doubt yourself, you almost certainly fail.

While I am horrible at following this advice, I know from personal experience that Bradbury and Yoda are right.

Most of my writer’s blocks come from thinking too much. I’ll start wondering, “Does this dialogue mesh with the character? If I do [blank] to [blank] character, will the readers hate me? Will anyone even read this? Why should I bother?”

You can see how that sort of train of thought can kill the creativity. If we think too much, we become too self-conscious. When we grow too self-conscious, we doubt everything we do and then nothing gets done.

In addition to the self-conscious inhibitions discussed by Bradbury, thinking can get us side-tracked. If you’ve ever watched The Big Bang Theory, you’ll remember this scenario from the episode “The Focus Attenuation”. Leonard, Sheldon, Howard, and Raj take a weekend away from the girls–and, theoretically, all other distractions–to try and focus on their work to make a breakthrough. They get to work but, unfortunately, thinking as they worked led to many tangents, including watching pigeons play ping-pong and determining if Bill Murray misuses “negative reinforcement” in Ghostbusters. Needless to say, the characters didn’t get any work done.

Image retrieved from Ray Bradbury’s Wikipedia page

Thought seems important for creative acts. After all, where do these ideas come from but our thoughts? Still, we have to be careful to not think too much. Figuring out the logistics of a fight scene or deciding if dialogue is working or not is best left for the editing/rewriting stages. Before all else you need to just get the ideas out and then you can make sense of the babble later.

Writing doesn’t work this way for all writers. Anne Rice is pretty open about how, in her process, she won’t move on to the next page in a book until she’s perfected the one she’s on. Perhaps you, as a writer, need to think enough to work out how exactly your character gets from scene A to scene B before you can continue to write.

For many writers, like me, Bradbury’s words ring true; once pen touches paper or fingers touch keyboard (after the initial outline/notes stage), the conscious mind needs to shut off and let the words flow. Otherwise we become self-conscious, doubt ourselves, and/or go entirely off-track. There’s a time and place for everything, and often the time for thinking is not when you’re writing.

Do you have any additional insights? Comments on Ray Bradbury’s advice or the writer overall? Start a discussion in the comments section below. And if you want to stay informed on the posts of The Writer’s Scrap Bin, sign up for email notifications in the menu to the left.

As always, feel free to contact me with any ideas for or questions about this blog at thewritersscrapbin@gmail.com.

 

Designed by Stephanie Hoogstad circa 2011