We’re in for a long weekend, folks, at least in the U.S. Yup, it’s Memorial Day Weekend. Now, I’m sure that everyone will be busy with BBQs and picnics and other fun ways of soaking in the glory of a three-day weekend. However, it’s also important for my American readers and I to remember that this holiday is meant to honor those soldiers who died in service. That’s why I’m going to present you with two writing prompts today.
The first prompt is a popular one for developing dialogue. What you do is go sit in a public place, particularly one where people are talking, and eavesdrop. Whatever snippets of dialogue–or entire conversations–you hear, write it down. I would suggest doing this for about twenty minutes to half an hour. This may seem like a long time but you’ll be more likely to get good chunks of conversations that way.
After finishing that part of the exercise, go to your usual writing space and create at least one scene or poem out of the dialogue you recorded. It can lead to longer pieces like a full story, book, or multiple poems, but you should at least write one scene or one poem utilizing all the dialogue you noted. Get creative with it. Try not to just record what you saw the people doing; in fact, try to ignore any visuals when you initially make notes on the dialogue. That way you’ll be forced to create entire characters, settings, and actions for the dialogue. You’d be surprised at what you may come up with. I once did this exercise for a writing course at a Stanford summer program; the conversation I overheard was two guys sitting at a table in the dining hall and talking about how one broke his leg, but I ended up with a scene in which two men were hunting a bear.
Whether you’re an American celebrating Memorial Day, a Muslim observing Ramadan, someone just having an ordinary weekend, or any combination of the above, this first exercise should be easy enough to do. Just plop on a bench at a BBQ, listen to your family’s everyday conversation, spy from a park bench, whatever you want.
The second exercise is intended for Americans celebrating Memorial Day but it’s generic enough that anyone can do it. I just want you to write something honoring someone who has fallen in combat. A scene, short story, poem, essay, letter, blog or Facebook post, anything that honors the people who have died fighting for your country. It can be funny, sad, bitter-sweet, uplifting, a tale of hope, a plea for world peace, etc. I just don’t want my American readers to forget the origins of Memorial Day amidst the BBQs and drinking.
However, I think that people of all nationalities can benefit from this exercise. No matter your position on war, war is currently a worldwide reality. It’s influenced many writers’ works and, as uncomfortable as it is, the subject is a rich field for fiction, non-fiction, and poetry. Read about it, write about it, explore it. You may find that soldiers and combat best convey your message.
Be sure to share your experiences with these exercises below.
Have any ideas for future Friday Fun-Day writing prompts? Drop a line in the comments or contact me at thewritersscrapbin@gmail.com.
Warning: The book reviewed in this post contains X-rated content. Please proceed only if you are 18 years of age or older and if you do not object to controversial/explicit writing. Thank you.
I’m taking a new path for this review and turning to a self-published author, Anna James Watson, and her book Blackmail. Be advised that Blackmail is erotica, so there are many “steamy” scenes. I trust that people reading this post beyond the warning are adults, so please conduct yourselves as such in the comments. Sex isn’t always the most comfortable topic but it’s a prominent part of the human experience. As such, we can’t avoid it and we should assess erotica as literature, as we would any other genre.
That being said, I’m not a regular reader of erotica. I do, however, try to read widely and this novel caught my eye. I’m happy it did; the book is much better than I had expected.
Blackmail by Anna James Watson, image retrieved from GoodreadsBlackmail is the first novel in Watson’s The Skeleton Key series. It illustrates the affair among three Yale students: undergraduate students Mia and Tristan and their TA, a philosophy graduate student named Julian. As the title implies, Mia is pulled into Tristan and Julian’s unconventional relationship due to Tristan’s need to blackmail her. As they try to continue life as though nothing has happened, their social circles become more thoroughly intertwined through mutual acquaintances, the philosophy club Y.U.P.S., and a society called The Skeleton Key. What follows is a whirlwind of secrets, internal struggles, emotional upheaval, and, of course, sex.
When I read erotica, I’m looking for more than just smut. I want characters that feel like real people, evolve and change throughout the narrative, and have real emotions and real social dynamics. I want the book to say more than “these attractive people had a lot of sex, often unconventional sex in unconventional places.”
The first several pages of this book are, admittedly, smut-heavy. Mia, Tristan, and Julian also start as rather stereotypical characters: the smart girl who normally doesn’t do this sort of thing, the rich pretty-boy who can’t afford people finding out about his “extracurricular activities,” and the mysterious romantic. I would’ve preferred to see more character development before the erotic side of the novel began, but I suppose in this genre it’s best to start those scenes early. Nevertheless, you see glimmers of real people with desires, limits, goals, and concerns right from the beginning.
The initial “steamy” scene is very well-written and sets the bar high for the rest of the novel. That aspect is consistently engaging and enthralling throughout the narrative, something best read behind closed doors and which I’m embarrassed to admit I really enjoyed. From the sweetly romantic love-making between Mia and Julian to the battle for dominance Mia has with Tristan, these scenes provide the perfect balance between sensuality and tension.
I’m most intrigued by the kind of relationship explored, i.e. MMF. When we encounter books, movies, or TV shows about polysexual/polyamorous/polygamous relationships, they’re most often one man and multiple women. So long as everyone involved is of age and consents, I have no issues with this sort of relationship. Still, the prevalence of MFF over MMF–I can’t even think of another example of MMF without more detailed research–suggests a disproportionate representation of unconventional relationships. It’s refreshing to see the exploration of more types of nontraditional relationships.
Mia may be the main character but, for me, Tristan and Julian’s relationship steals the show. Watson shows the issues of them privately accepting their identities–Julian is pansexual and Tristan is bisexual–while still trying to keep the wrong people from discovering them. Watson heightens the tension by investigating the strengths and struggles Mia adds to their love life and the strains that Tristan’s obsession with The Skeleton Key puts on them. I despise rich pretty-boys and yet I worried for Tristan and his relationship with Julian, as well as felt annoyed by how Tristan approached their joint relationship with Mia. Tristan and Julian put me through an emotional roller coaster, something I didn’t necessarily expect from erotica.
With the introduction of Y.U.P.S. this book becomes erotica for the intellectual. The philosophical debate may not be accessible to everyone. I had to re-read it a couple times to get a good grasp on it. Regardless, I find it exhilarating, as much as (if not more than) the sex scenes. The back-and-forth and Watson’s mastery of altering pace adds tension and excitement to a topic in which some readers might not have interest.
This book is intelligent on multiple levels. One of these levels involves Tristan’s and Julian’s names. The name “Tristan” is most famous for the Arthurian romance Tristan and Isolde. “Julian” derives from “Julius”, as does the name of a very famous character in romance fiction: Juliet. I could write an entire essay analyzing the use of those names alone. Of course, not all of the names in this book are that creative. Mia’s last name, Winters, is rather plain. Tristan’s surname, Masters, is almost too much considering his need for dominance and his social station. Still, these names do not detract from the brilliance behind the naming of the two leading males.
Anna James Watson: mother, wife, intellectual, writer
Image retrieved from GoodreadsThe intelligence of the novel seeps into the subtext. I could go on and on about how this book plays with Sedgwick’s homoerotic triangle and the utilization of a secret society to complement the main characters’ secret relationships. However, such analysis would take too long and is best left to future posts. My main point is that this book is an intelligent erotica, a niche which is often left unfulfilled. As an intellectual, I’m very pleased to see someone address the hyper-sexual potential hiding beneath every smart person, even if that person is unaware of it or isn’t sexually active.
I could say so much more but I’d rather give you a chance to read the book yourself and start a discussion in the comments section. You can get an electronic copy of the book for free on Amazon’s Kindle Unlimited or for $2.99 through Amazon’s regular Kindle store. Also remember to check out Watson’s website for information on The Skeleton Key series and to access her blog.
Do you know of a little-known, up-and-coming, and/or indie writer you think deserves more attention? Let me know in the comments below or drop me a line at thewritersscrapbin@gmail.com.
Happy Friday once again. I want to use this post for two things, to remind you ofa couple contest deadlines and to inform you of Writer’s Digest’s Popular Fiction Awards.
We have two upcoming contest deadlines. The first is the Bridport Prize on May 31st. You can go to this post for more information. The second is the final deadline for Writer’s Digest’s Annual Writing Competition, June 1st. This final deadline costs more to enter than the early bird deadline that I gave you in the original post on the Annual Writing Competition but it also means that you still have time to enter. Go to this post for more information.
Now, on to the Popular Fiction Awards. The entry form for this year’s contest was opened only a few days ago, so I thought I should inform everyone as soon as possible. Don’t worry, you have a while to enter. Here are the most important facts:
Entries must be short stories that are 4,000 words or less.
There are six categories in which you can enter: mystery/crime, horror, romance, science fiction/fantasy, thriller/suspense, and young adult. The contest page contains thorough definitions of each category.
There are two different entry fees for the two deadlines. The early bird deadline costs $20 per entry. The regular deadline is $25 for the initial entry and $20 for each additional entry.
Grand prize winner gets $2,500, a paid trip to the Writer’s Digest Conference, an interview in the May/June edition of the Writer’s Digest magazine, and more!
Prizes are also available for one first prize winner in each category and honorable mentions.
The early bird deadline is October 16, 2017. The regular deadline is November 15, 2017.
You can find more information on the contest at this link.
Good luck to everyone!
If you know of a contest or publishing opportunity you think I should discuss on this blog, let me know in the comments below or contact me at thewritersscrapbin@gmail.com.
