Side-Jobs to Help Struggling Writers

A couple time-tested saving and money-raising methods are penny hoarding and quarter rolling. Whether it’s just change you get from purchases or coins you hunt down in your couch and on the street, it does add up.

Image retrieved from this video

In a perfect world, we would all become billionaires from publishing our work–or at least we’d be able to pay for rent, food, and a computer. Unfortunately, we live in a far-from-perfect world. Most writers can’t quit their day jobs after the first, third, or even fiftieth book. Some are fortunate enough that they love their day jobs or at least tolerate them. Others, not so much. And some, myself included, can’t catch a break with getting a traditional 9-5 job. That’s why I wanted to do a post on side-jobs, (relatively) easy ways that anybody, writers and non-writers alike, can make extra cash.

The Penny Hoarder: I’ve heard about this one for a while but only started using it recently. In addition to tips on handling debt and saving for your future, there are tips for “side-jobs” ranging from recycling to writing slogans for small businesses. Take a look and I’m sure you’ll find a money-making/saving/debt-reducing scheme that works for you without taking too much time from your writing. While you’re there, be sure to sign up for their newsletter to receive tips every day.

Swagbucks: I’ve been using this site significantly longer than any of the other side-jobs I’m discussing–two years, I think. For that reason, I have a lot more experience with them and a lot more to say, both good and bad. On Swagbucks you earn “Swagbucks” in exchange for taking surveys, shopping on certain websites through Swagbucks, using their search tool, and so on. One hundred Swagbucks equals about one dollar. Eventually you can exchange these Swagbucks for Amazon gift cards, iTunes gift cards, even PayPal gift cards, which are as good as cash.

The downside is that Swagbucks is not the most reliable source of payout and their customer service leaves a lot to be desired. Some surveys and offers don’t pay out and it can be like pulling teeth to get Swagbucks to help you when that happens. Some users have been told by customer service that they won’t help them anymore even though the users have done nothing wrong and haven’t violated the terms of service. I’ve seen reviews which said that multiple users had their accounts deactivated for no reason.

Mind you, Swagbucks isn’t always that way. Overall, despite multiple problems with payouts, Swagbucks has been incredibly helpful for me as an extra source of income and I think it’s worth a try. Just proceed with caution when contacting customer service and always be prepared to prove that you completed a survey or offer.

Ibotta: Ibotta is an app which gives you money through rebates on your shopping. Mind you, it’s only certain stores and certain products, some online and some not, and which rebates are available change constantly, but I’ve already made $20 in the past month just from my usual groceries and a couple iTunes purchases. You can’t exchange them for PayPal or other gift cards until you reach $20 but it adds up quickly. Just be sure to keep your receipts; sometimes you have to scan them to claim the rebates.

Foap: Foap.com is particularly interesting. Basically you download the Foap app, register on the site/app, and upload photographs you have taken. Hopefully someone will buy the rights to your photograph ($5 a piece). You can sell the rights for the same photo as many times as you like. Right now you can only upload photos from your phone but I’ve heard they’re working on a way to upload from your desktop. It’s not a guaranteed way to make money and you’ll definitely have to read all of the terms and conditions before posting but it’s an easy way to try to earn money. Not to mention it’s fun to look at all the photos and have your photos rated by other users. Even if you take horrid photos or can’t hold your phone still to save your life (guilty to both!) it’s worth a try. Besides, you never know which of your pictures people might like.

Etsy: I haven’t tried to sell anything on Etsy yet but the concept is pretty straightforward. If you make things (ex. sew mittens, create personalized drawings, etc.) or have antiques you want to sell, you’ll find buyers on Etsy. Etsy takes a certain percentage and you have to remember to account for taxes but if you have a unique product, you’ll probably make some extra cash on this site.

Fiverr: I just started Fiverr so I don’t have experience with payment yet. However, Fiverr is one of the best-established sites for exchanging services. I wouldn’t be doing this list justice if I didn’t mention it. You register on the site and post your “gigs”, anything from freelance editing to having “Jesus” make a personalized video message. (I’m not even kidding; there’s a user who offers that.) The prices start at $5 and you can provide three different “packages” per gig.

Warning: You must word your gigs very specifically and carefully. I didn’t make it clear enough that I would edit and give feedback on essays, not write them, so that gig was denied and removed by Fiverr. Fortunately that was all they did and I’ve been able to put up more “appropriate” gigs since then. Just be careful how you word things, don’t forget the terms of service for even a second, and always remember that you must exchange payment through Fiverr and you’ll be fine.

Again, Fiverr takes a percentage and you’re responsible for your own taxes but that’s the norm with these sites.

Freelancer: Freelancer is pretty much just a site where registered users can find job opportunities based on their skills as well as post jobs for other freelancers. Just like with Fiverr and Etsy, you have to use their payment system so that Freelancer can get its cut and you have to remember taxes, but it’s a simple enough system to use.

Warning: Beware of scammers! I cannot emphasize this enough. Specifically be wary if they send you an offer in your inbox when you didn’t bid on their job first. Repeated job posts, job posts with bad grammar, and anything asking you to contact them outside of Freelancer are all things you must take as red flags. Look them up and, most importantly, trust your instincts. If something doesn’t feel right, it probably isn’t.

Upwork: Upwork is essentially the same as Freelancer. However, there’s a reason why it’s at the bottom of my list. I had incredibly bad luck on Upwork in an incredibly short amount of time.

Within my first month I almost fell victim to a scam. (If you come across a posting from someone claiming to be from Natco Pharma, REPORT IT IMMEDIATELY. The company name is a real company but they just use the name to make you think it’s legitimate.)  Then I had a very unprofessional potential client. We scheduled Skype interviews but both times I couldn’t get a hold of her via Skype. I checked and nothing was wrong on my end. The first time she just didn’t answer and the second time she kept pushing it off on me in the chat and wouldn’t answer any of the questions I had for her. I finally contacted the company she claimed to work for, giving them my email address to respond to, and she responded to me on Upwork thanking me for contacting their website and telling me that they had already given the job to someone else. Mind you, that was the SAME DAY as the second scheduled Skype interview.

The final issue was my fault. I had a lapse in judgment and I offered to take the first payment from a client without an Upwork contract because he was new to the system and didn’t know how to use it well. Otherwise I insisted on an Upwork contract and offered ways for him to get help with the system, but my account was deactivated just for the suggestion. No warning, no second chances, my account was just deactivated. Fortunately I was able to contact that client outside of Upwork and still got the job. Overall, with the problems I had, my boneheaded mistake may have been a blessing in disguise.

I don’t want to discourage everyone from Upwork. Others have had problems like I did but others have had success. All you can do is try. My advice is this: be vigilant and don’t forget their terms for even a second because, unlike the more user-friendly Fiverr, they aren’t big on second chances.

 

As with everything I say, take this list with a grain of salt. Some things may work for you and others may not. I still think that all struggling writers should give these side-jobs a look. You never know what doors these sorts of sites will open for you.

Shameless plugging: I offer freelance editing, proofreading, critique, and writing services on Freelancer and Fiverr. I also provide book reviews and personalized Disneyland tips on Fiverr. My username on both sites is dragonet07, so be sure to look me up.

Do you have any ideas for writers struggling to make ends meet? Help out a fellow writer by leaving your recommendations in the comments.

 

Designed by Stephanie Hoogstad circa 2011

Writers on Writing: Mark Twain

Quote retrieved from Twain Quotes.

I adore Mark Twain. Everyone needs humor in their lives and I find his writing refreshing. I’ve never read The Adventures of Tom Sawyer or The Adventures of Huckleberry Finn. I have, however, read several of his other works: “Advice to Little Girls”, “The Celebrated Jumping Frog of Calaveras County”, The Prince and the PauperPudd’nhead Wilson, and more. My favorite is A Connecticut Yankee in King Arthur’s Court. Time travel, the Knights of the Round Table, and satire that pokes at the romanticized image of the Middle Ages? What’s not to love?

Today I’m going to discuss one of Twain’s quotes on writing that has been very encouraging for me during the editing process:

The time to begin writing an article is when you have finished it to your satisfaction. By that time you begin to clearly and logically perceive what it is that you really want to say.

~Mark Twain, Mark Twain’s Notebook

It sounds paradoxical but also makes sense. The meatiest, most taxing part of writing is not the writing itself but the rewriting. We don’t know what we’re trying to say until after that first draft.

I know what a lot of you might say: I meticulously plan my (novel, short story, poem, whatever) before I pick up the pen; I know exactly what I want to say before the first draft.

Let me ask you this: how often is the first draft also your final draft? How many revisions do you go through before you and your beta readers decide that the work is finished (well, publishable)? How drastically does the piece change before you’re done?

We know generally what we want to say in the first draft but specifics are blurry. Sometimes even that “big picture” takes a turn in later drafts. It’s the nature of writing. We spew everything in our heads onto the page during the first draft and then we figure out the direction in which we really want to go.

The good news? This process means that it doesn’t matter if the first draft is crud. It’s supposed to be. All that matters is that you revise the work until you realize what you want to say and accomplish that message, even if you have to write it all over again. I’m learning this lesson slowly but surely as I edit stories for my end-of-year portfolio.

This photograph of an older Mark Twain was taken by A.F. Bradley for the purpose of helping poet laureate Ina Coolbrith, who lost her home in the San Francisco Earthquake.

Picture retrieved from the Mark Twain Wikipedia Entry.

The other good news? Mark Twain, the writer of the “Great American Novel”, didn’t always know what he wanted to write until after he started writing. He knew not to stop if the first batch was rotten. And you shouldn’t give up during or after finishing your first draft. You’re just getting started.

Do you have any thoughts on Twain’s advice? Do you have a writer whom you want me to write about in a future “Writers on Writing”? Drop a line in the comments or contact me at thewritersscrapbin@gmail.com.

And watch for the next “Writers on Writing” in which I’ll turn to Latin American writer Sandra Cisneros.

 

Designed by Stephanie Hoogstad circa 2011

Contest for Fantasy and Science Fiction Writers: Writers of the Future

TGI Friday, fellow readers and writers. Today I want to bring your attention to a contest which I discovered quite a few years ago (sophomore or junior year of high school, I believe). It’s called the L. Ron Hubbard Writers of the Future Contest. It’s for new writers and illustrators of the fantasy and science fiction genres.

Before I get into the specifics of the contest itself, I wish to address its founder. Yes, it was started by that L. Ron Hubbard, renowned science fiction writer and founder of Scientology. As far as my research has turned up, that is where the connection between this contest and the controversial religion ends. Please do not let any negative conceptions you have of Scientology keep you from this contest. I have rather…mixed feelings about Scientology and L. Ron Hubbard myself but I still think the contest is a great opportunity for budding writers and illustrators who favor these genres.

Now, on to the contest. There are more details than I wish to cover here, so please follow this link for complete information on entering, prizes, etc. But here are some highlights:

  • Science fiction, fantasy, and dark fantasy stories of up to 17,000 words in length may be submitted.
  • Contestants retain all publication rights.
  • NO ENTRY FEE
  • The contest is quarterly with three winners each quarter.
  • The first place winners for each quarter have a chance to win the grand prize at the end of the contest year.
  • There’s also a branch of the contest for artists called the Illustrators of the Future Contest.
  • Cash prizes and publication in the annual Writers and Illustrators of the Future anthology
  • There’s a formal reception for the winners.
  • Contestants CANNOT have professionally published a novel or short novel, more than one novelette, or more than three short stories in any medium. More information on what is considered “professional publication” is available on the site.

I entered the contest once (and lost) but have not returned to it due to other paths calling my name. However, if you’ve a hand for writing in these genres, I highly recommend submitting to Writers of the Future.

Best of luck!

 

Designed by Stephanie Hoogstad circa 2011

Experimenting in Writing: Just Do It

Writing is a balancing act between the new and the conventional. We want to branch out but we’re afraid that it won’t settle well with our readers. We often wonder, should we experiment in our writing or should we stick with the tried and true? The question seems simple but the answer is not.

This is me when I think about including my flash fiction experiments in my end-of-year portfolio.

GIF retrieved from GIPHY.

I often struggle with this matter. Most recently I’ve decided to try my hand at flash fiction. Honestly, I’m still baffled by it. The genre is powerful and complete in a way that’s inexplicable. Unfortunately, I’m not sure if I have written anything salvageable.

The uncertainty makes me dread experimentation. I may want to try something but I’m so petrified by the thought of failing that I question myself constantly. Is there a plot beneath the new form? Are the characters well-developed? Am I conveying my thoughts well enough? The most persistent and dreaded question: am I “doing” this right?

I know that there is no “right” way to write. Some forms, such as flash fiction, are so different from the others that I keep wondering what makes some stories work and others not. The best solution, of course, is to ask other writers to review the stories and give feedback. Should be no different than any other story.

This conversation is always going on in a writer’s head, just more loudly when they’re experimenting with a new form.

Image retrieved from Pinterest.

The problem: I am still petrified by the thought of failure. In this case, the failure would manifest as embarrassment in the company of my peers. I can’t get myself to ask for feedback because I’m too worried that they will think less of me if the work is a mess.

You see the conundrum? I’m going to get nowhere if I continue like this. I could decide to avoid experimentation period. At least I’ll know that I will please some readers, right?

There’s a problem with that approach, too.

Beyond the external factor of people criticizing writers for repeating themselves, there’s always a reason why they want to experiment. Often, as in my case, it’s because they aren’t inspired. They’re having a problem with the same-old, same-old. They have writer’s block and have to shake off the cobwebs. If they don’t break from the rut, all of their future work will be stale–if they produce more work at all.

What’s a writer to do?

Simply put: JUST DO IT.

We never know if something will succeed if we don’t try. Yes, we might fail. We’ll more than likely fail over and over. Will we embarrass ourselves? Possibly. It depends on how we react and the thickness of our skin. Without failure and possible embarrassment, we’ll never reach our full potential. We’ll never learn if we don’t make mistakes and we’ll never stumble across our greatest works if we don’t cast our nets wide.

I know, easier said than done. I definitely know that. I’m partly using this post to convince myself that it’s OK for me to experiment and that I won’t humiliate myself if I ask someone to look these pieces over. Sometimes you have to fight back the inhibitions and do something without knowing how it will turn out.

Besides, you may find your next favorite way to write when you experiment. Isn’t that worth the risk?

 

Designed by Stephanie Hoogstad circa 2011

Trending: #ThingsOnlyWomenWritersHear and #WhatWoCWritersHear

Warning: This article is about a controversial issue that women writers face. People may not want to read about it and that’s their decision, but I highly encourage everyone to continue. Even if you don’t personally relate to anything, you may gain a better understanding of other people’s struggles with this business. My language is probably not politically correct and I apologize for any offense I cause. I did my best but I’m only human.

Women writers, especially Women of Color (WoC) writers, are often given a hard time in the writing/publishing world. As a white woman writer, I have not experienced any negative bias based on my gender identity, let alone race. However, I’m just starting my writing career. Being a woman may, at one point or another, through obstacles my way in the future. I know for a fact that women writers still experience discrimination despite how far Western society has progressed. (I really cannot speak for anyone outside of Western society.) Perhaps the most notorious example is J.K. Rowling using initials so that boys would read Harry Potter.

Don’t believe me? Think it’s women whining about rejection or that it’s just “victim mentality”? Let’s look at two hashtags that have been making the rounds the past few days: #ThingsOnlyWomenWritersHear and #WhatWoCWritersHear.

According to Book Riot, #ThingsOnlyWomenWritersHear started with Joanne Harris, author of Chocolat.  L.L. McKinney, a.k.a. @ElleOnWords, created #WhatWoCWritersHear. I followed the hashtags out of curiosity and what I’ve seen has made me furious that this still happens in 2017:

https://twitter.com/KatyBadMum/status/854682192508837889

My favorite:

Among other things, that last one acts as though single women, career women, lesbians, generally women who don’t rely on husbands aren’t writers (or don’t exist).

The things WoC writers have heard are no better. I can’t imagine what it’s like to hear what these women have:

https://twitter.com/ElleOnWords/status/854384056003330048

Imagine if someone said that to a white writer because their character was white.

I don’t know why anyone would dare tell a WoC writer something like this:

https://twitter.com/silviamg/status/854401144633688064

https://twitter.com/kmariawrites/status/854405129755389952

Yes, they’re so lucky that they’ve been so severely underrepresented and oppressed that their stories are now (supposedly) in high demand.

Why am I talking about this if I haven’t encountered it? I can’t possibly understand if I don’t go through it.

That’s exactly why I’m writing about it. Just because it hasn’t happened to me does not mean it doesn’t happen. As a society we need to get that through our thick skulls. Some women may not have heard such remarks but it doesn’t mean they won’t in the future and it definitely does not mean other women haven’t.

As importantly, white women–white people overall–shouldn’t turn a blind eye to the experiences of WoC writers. White people can’t ignore them just because those aren’t their struggles. We can’t brush it off or call people ungrateful because “things are so much better in the Western world now”. White people are part of the problem–actually, white people, myself included, are the problem. Yes, many of us don’t actively participate in it. However, we allow this attitude to continue when we don’t speak up.

I’m not trying to bag on white people or men, and I apologize if it seems that way. I think that bias against anyone for their gender, sexuality, race, ethnicity, culture, religion, etc. is unjustified and wrong. We need to acknowledge the bias and address it. Pretending the issue doesn’t exist won’t make it go away.

I also have to agree with one user’s Tweet about hearing about gender bias for men:

The only way we’re going to eradicate bias is to listen to both sides. I’m not saying that women’s grievances are any better just because men experience bias, too. Far from it. Rather than telling women “oh, we all have problems”, men should say “I understand the issue and I’ll do all that I can to help end it.” If we’re going to end this infestation, we have to work together, not tear ourselves apart.

I know I’m going to get grief for this. People get upset and lash out. It happens. Still, it’s my choice to talk about these Tweets and it’s your choice to ignore this post, if you like. I post plenty of articles that don’t have this sort of controversy, so you can stick with those. All I ask is that anything you say in response to this or any of my posts remains civil. I’m open to debate but only if we’re engaging in intelligent conversation, not pointless name-calling and bullying.

I’m not perfect. I don’t read as diversely as I should but I’m working on it. Please, if you have any recommendations for women and WoC writers, drop a line in the comments so I can check them out.

For the women and WoC writers reading this, do you have any stories like these to share? What do you think we can do to reduce the frequency of this issue? And to add some positive energy, do you have any stories of GOOD #ThingsOnlyWomenWritersHear (i.e. you inspired me, you helped me realize I wasn’t alone, you got me through a rough time, etc.)?

And keep an eye out for L.L. McKinney’s book, A Blade So Black, planned for release in Fall 2018.

 

Designed by Stephanie Hoogstad circa 2011

Publishing Opportunity: Hookline Books

Happy Friday once again. Today I want to tell you about a unique publishing opportunity through Hookline Books. I owe this tip to my program’s director, Dilys Rose. This chance is for students and graduates of M.A. creative writing courses.

Before I describe this opportunity in-depth, I have to make one thing perfectly clear: Hookline Books only accepts one manuscript submission per writer per year. They use this limit to ensure that people submit only their best work without having to implement a deadline or submission fee.

Here’s what happens:

  1. You submit the first free chapters of your book and a brief synopsis.
  2. Hookline Books assigns your submission to book groups to read and features it on the “Discover New Authors” page.
  3. If readers like it, Hookline Books will ask for the entire manuscript.
  4. This next part I’m going to quote directly from their site so as to not misquote them:
    • “Writers who receive a thumbs up will be offered an ebook contract. Those who receive a resounding thumbs up will have their work published in paperback and ebook format.”

There’s no deadline, no submission fee. As long as you remember that you can only submit once per year and give them your best work, you’ll have a shot at getting published. If nothing else, it’s great practice for submitting your work and word about your book can reach a wider audience.

I know it may not seem fair that this contest is specifically for students and graduates of Master’s in Creative Writing programs. Hookline Books does this because these writers have put a lot of time and money into improving their craft. The publisher just wants to give these new writers a chance.

Don’t worry. There are a lot of contests available for people who aren’t in Master’s programs. Check out my blog post on this Writer’s Digest contest for another publishing opportunity.

Good luck on this and all your endeavors!

 

Designed by Stephanie Hoogstad circa 2011

Writers on Writing: Virginia Woolf

Quote retrieved from Bloomsbury Literary Studies
In this post I’m going to switch gears from Ernest Hemingway, the “man’s man,” to renowned author and feminist Virginia Woolf. Admittedly I’ve only read one of Woolf’s works, To the Lighthouse. I believe I’ve read “The Evening Party” as well but it was in a collection with several other writers that I read for an undergraduate short story class, so I’m not certain that’s the right story. Nevertheless, I find her very intriguing, both as a writer and as a human being. (We don’t always treat the former as the latter, so I feel it’s necessary to make that clarification.)

The quote I want to focus on is the title quote from her book-length essay A Room of One’s Own:

A woman must have money and a room of her own if she is to write fiction.

Things have changed since Woolf’s time, in the writing world and society overall. We allow women more independence and more financial success in their own right. Does that make Woolf’s words any less true? Not necessarily.

Society still pressures women to be “good” wives and mothers. To add to the stress, everyone’s definition of a “good” wife and mother differs and some include the need to earn money. Kids, a significant other, a job–it’s no wonder many female writers have to put off writing until the kids have gone to bed. More women have their own money, but a “room of [their] own” can still be hard to come by.

What if you’re a single woman? A childless female writer? A male writer? Do Woolf’s words still apply? I would argue yes.

Whether we’re in a relationship or single, a parent or childless, man or woman or gender-less, we all have responsibilities bearing down on us. Household chores, self-care, paying jobs–writers have to eat, too–and much more can slow our writing progress. That’s before we add in our social lives (those of us who still have one), our immediate family outside of children and significant others, and our pets.

The best solutions to these obstacles? Money and a room of our own.

We may not be dependent on someone else’s money but we still need more money in order to free up time for writing. More money means fewer work hours needed, and fewer work hours are more hours for writing.

But do we really need a room of our own? It can mean seclusion and privacy, which begot focus and freedom. No distractions, no judgment. Just us, our ideas, and our writing. It’s why many writers withdraw into bedrooms or home offices, especially when their household is buzzing. Some even go to the extreme of renting offices outside of the home. Now that is the epitome of needing money and a room of one’s own to write fiction.

Portrait of Virginia Woolf

Photograph by George Charles Beresford, retrieved from the
Virginia Woolf Wikipedia entry

I know Virginia Woolf’s original statement wasn’t supposed to have this exact meaning. From my brief stint into her essay–please forgive me for using SparkNotes to research this post, I was pressed for time–I have come to understand that Woolf was trying to explain that women’s heralding duties and financial/legal ties to their husbands can affect their writing. As I said before, this interpretation of the quote maintains resonance to this day. Women may be more independent but society still pressures them in ways that men don’t always realize. However, the broader interpretation can aid all writers, no matter their gender.

You may not be able to resolve the money aspect of this issue, at least not for some time. It happens and we all have to face it at one point or another. You can only trudge through the daily work muck and hope for the best.

If you find yourself distracted by duties and losing time, you may be able to do something about it. Find a time and a place where you can set everything else aside and write. Set it in stone. Tell everyone–friends, family, your significant other–that that time and place are for writing and only writing. Some people may be mad but really, you have to write. A writer who doesn’t write is just a dreamer. Also, they can’t pester you about when your next story or poem will be published if they won’t let you write.

I digress. By carving out the time and place for writing, you are giving yourself a private writing nook that no one can take from you. You are creating a “room of [your] own”.

That’s it for this “Writers on Writing”. Keep an eye out for the next installation. I’ll be covering a personal favorite, satirist Mark Twain.

Until then, do you have anything to add to this post, either about the quote or Virginia Woolf? Do you have any writers/quotes on writing that you think I should discuss? Leave your suggestions in the comments or email me at thewritersscrapbin@gmail.com.

 

Designed by Stephanie Hoogstad circa 2011

Writing with Migraine: One Writer’s Struggles with a Life-Long Condition

Have you ever tried on a friend’s glasses? You know how they make your vision blur, you become disoriented, and your head starts to hurt? Imagine that happening when you’re wearing your own glasses or with no glasses at all (if you don’t need them). Then move the pain to the left side of your head, make it throbbing, and increase the pain, pressure, and disorientation to the point that you’re crying. Add nausea and the threat of vomiting. Now imagine trying to write with that feeling. That’s a bit like my strife when I write during a migraine.

Migraine is a complex neurological disorder with a wide variety of symptoms. It can take several doctors ruling out all other possibilities for you to be diagnosed with migraines.


Artist’s rendition retrieved from The Health Junction.

For the past week migraine symptoms have plagued me. A migraine headache nearly prevented me from completing last Monday’s article. Other migraine symptoms forced me to postpone this post repeatedly. As I sit here typing my head still hurts and my vision remains blurry. At least I can sit up and read.

I’ve had these attacks since I was ten years old. While people have started to empathize with my situation, it’s still hard to find people who know where I’m coming from, even among fellow writers. No one wants to talk about it.

This latest spike in my symptoms has given me the perfect opportunity to address a very important matter: writing with chronic illness or disability.

Writing is never easy. Writing with a chronic illness or disability is worse. Blindness, deafness, paraplegia, autism, epilepsy, the list is endless. Writing and meeting deadlines are a fight with your body, and not everyone in the writing and publishing worlds are patient about the matter. Yet you have to manage somehow or you’ll have no career.

Unfortunately, society doesn’t like talking about that sort of thing. We’ve become open about discussing depression and anxiety–issues I also struggle with and will address in another post–because they are prevalent among artists. Other conditions, however, are often ignored.

This post has been tough to write, and not just because of the symptoms. Many thoughts have rushed through my mind: how can I help other people understand this when I barely understand it? How can I avoid sounding like a martyr? I’ve been living this way for so long that it’s hard to tell what’s normal and what’s not unless I need to confine myself to a dark, isolated room. Even with a doctor’s diagnosis, how can I know for certain that I’m experiencing migraines and not overreacting?  Most importantly, will anyone care to hear what it’s like?

That’s exactly why I’ve decided to write about my struggles. We need to initiate a discussion about writing with chronic illness and disabilities. If nothing else, writers who live and work with such conditions will not feel alone. They will know that someone understands and cares.

Despite popular misconception, migraines are not just really bad headaches. Light, odor, and sound sensitivity; blurred vision and other vision alterations; pulsating headaches; nausea and vomiting; dizziness; vertigo; aphasia; hallucinations. That all sounds bad enough but those aren’t the only possible symptoms. They vary from person to person and from one type of migraine to another. Not everyone experiences every symptom. The ones you experience and how badly you feel them can change over time. On top of that, migraines are erratic.

Now if they can simulate the nausea, excruciating pain, dizziness, and all the different sensitivities, we may get somewhere.


Image retrieved from “Excedrin ‘Migraine Experience’ lets non-sufferers ‘see’ what debilitating headaches feel like”.

It’s impossible to explain. You know that Excedrin Migraine commercial in which the mother wears goggles that blur her vision in order to experience her daughter’s struggles? That’s a nice start but it barely scrapes the surface.

Luckily there are  sites like migraine.com. A fellow writer/migraineur posted the link on Facebook and it’s taught me loads about migraine symptoms, triggers, and types of migraine.

Doing anything under these circumstances is difficult, if not impossible. Writing, an activity which relies heavily on the mind and the ability to construct coherent sentences? Not going to happen.

I would like to say that, after all these years, I’ve learned to successfully write with migraines but that would be a lie. I can force myself to write despite it and some things are easier to handle than others (social media posts come to mind). However, I beg for relief while I do it and I don’t remember a word of what I’ve written afterwards.

This week was not the first time migraine attacks interfered with my writing. I composed an essay about Moby-Dick, the one printed in the UC Davis Prized Writing Anthology, with a horrendous headache and puking. I could barely sit from the pain and dizziness. I don’t remember how but somehow the essay was written. I wrote many of my undergrad essays that way, actually.

Creative writing? I’d have a better chance at getting my father to stop cracking his insensitive jokes. OK, it might not be that hard but it comes pretty close.

So long as I nip the headaches and nausea in the bud with Imitrex, I can typically push past the visual auras, odor sensitivity, sound sensitivity, and dizziness. The work is crud and I have to rewrite it thoroughly but it gets written.

I never edit under these conditions. Focus is key and I can’t with any of these symptoms.

Even if you don’t get the headaches, you have to fight yourself to write with migraines. The aforementioned writer friend doesn’t often get the headaches. She does, however, experience dizziness, confusion, aphasia, and sometimes hallucinations. It disrupts her daily life and her writing.

Here’s the most important thing to remember: my friend and I aren’t giving up. We’re pursuing our dreams. We work through the symptoms when we can and, when it’s too bad, we’re not afraid to rest a day or two. One way or another, we write.

Chronic Migraine is debilitating and misunderstood. Many writers struggle with it and worse conditions, and yet they do not quit. As proof, I’m going to name some published writers who had/have chronic conditions and disabilities but still succeeded:


Lewis Carroll, beloved and complicated children’s author, is just one of many famous migraineurs.

Image retrieved from Alice in Wonderland Wiki

  • Lewis Carroll (migraine): It’s believed that the images and sensations in Alice’s Adventures in Wonderland and Through the Looking-Glass may have been based on Carroll’s experiences with disorientation and light sensitivity from migraines.
  • Virginia Woolf (migraine)
  • Miguel de Cervantes (migraine)
  • F. Scott Fitzgerald (dyslexia)
  • Octavia Estelle Butler (dyslexia)
  • Lord Byron (epilepsy and club foot)
  • H.G. Wells (diabetes)
  • Christy Brown (cerebral palsy)
  • Fyodor Dostoyevsky (temporal lobe epilepsy)
  • Jorge Luis Borges (progressively went blind due to a genetic disorder)
  • John Milton (blindness): Believe it or not, John Milton lost his sight sixteen years before completing Paradise Lost. His daughters read to him and helped transcribe his writings.

As you can see, writers with chronic illness and disabilities are in good company.

Migraine and other chronic conditions are difficult to work with but not impossible. You just have to put in more effort to overcome your challenges. It’s nothing you can’t handle so long as you persevere. After all, what is a challenge to a writer but a story or poem in waiting?

For more information on writers and celebrities with such conditions, including migraine, visit these sites (which are also my sources for the above list):

Celebrities Suffer Migraines Too

Famous Authors with Disabilities

25 Famous Authors with Learning Disabilities

10 Successful Writers Who had Disabilities

I strongly encourage anyone with chronic migraine or any other chronic illness/disability to comment on their experiences here. Have any writers to add to this list? Drop those in the comments, too!

If you’re looking for works with disabled characters by disabled writers, be sure to check out this article from The Guardian.

Designed by Stephanie Hoogstad circa 2011

Writing Inspiration: Where Do Writers Get Their Ideas?

Magic Beyond Words
Magic Beyond Words, TV movie about J.K. Rowling’s earlier life and the creation of Harry Potter up to the film release of Harry Potter and the Sorcerer’s Stone

Originally released by Lifetime, image retrieved from IMDb

Nothing is more mystifying than inspiration. Inspiration for all art–paintings, sculpture, film, writing–seems to come from nowhere. We’ve all read books, stories, and poems which make us wonder how the writer could have possibly thought to write them in the first place. The origins of our favorite books captivate us. I can’t tell you how often I watch Magic Beyond Words: The J.K. Rowling Story. We want to learn more about our favorite writers’ inspiration in the hopes that they could help us find our own.

I won’t pretend to speak for all writers. We may claim to know where other writers get their ideas but we don’t. Honestly, we don’t always know the source of our ideas.

There’s only one thing I can say with any confidence: if they can find inspiration, so can you. As proof, let me tell you about my own experience with finding inspiration.

I seem to get my ideas from the most random places. As an undergrad, my mind drifted during class much more often than I am willing to admit. I doodled in the margins of my notebook, worked on essays from other classes, and listened to my professors just enough to know when I needed to jot something down. As I zoned, I would retreat into my imagination, allowing myself to become submersed in elaborate worlds. Sometimes I would leave class with a plot, other times with new character histories, and others with an entire scene written.

Sitting through lectures, at the movies, taking walks, I find inspiration whenever I can let my mind drift from the present.

Find isn’t the right word. I don’t actively look for inspiration. In fact, writing inspiration alludes me when I attempt to chase it down. The ideas must come to me. They find me, not the other way around.

External conditions aside, inspiration finds me most when I’m reading or watching TV and movies. I’m not talking solely about fiction. Academic articles, news reports, documentaries, fiction and nonfiction alike inspire me when I’m reading/watching it. Why? It’s all thanks to the “what if” impulse.

What if the Confederacy had won the Civil War?

What if the Four Horsemen became American politicians?

What if the Roswell UFO and Kelly’s “Little Green Men” were connected by more than the “supposed alien sighting” factor?

This impulse isn’t limited to “what if” questions or to what I watch and read. Why, who, and how, what I hear and what I live, they all spark my imagination.

Why might aliens have such large eyes?

How did so many branches of my family end up in California?

What if the legend about Lemurians in Mount Shasta isn’t a legend? (Check out this link if you haven’t heard this story. It’s humorous, ridiculous, and intriguing all at once.)

Natural writing inspiration
It’s hard not to be inspired by beauty like this, and I can see why people think there’s something mythical happening in that mountain.

Sunrise on Mount Shasta, picture by Michael Zanger, retrieved from Mount Shasta Wikipedia entry

Inspiration comes from everything and nothing. What inspires a writer once may not inspire him/her again. That which annoyed a writer once may become the catalyst for his/her next novel. You never know what could spark your imagination. All you can do is read, watch, and experience everything to the fullest in the hopes that something, no matter how obscure, will catch your attention and send inspiration your way.

I’ll write more on what inspires me in future posts. In the meantime, where does your writing inspiration originate? Discuss it in the comments or email me and you might be featured in an installment of “Writing Inspiration”.

 

Stephanie's Logo
Designed by Stephanie Hoogstad circa 2011

 

Contest from Writer’s Digest

Happy Friday! The weekend is here (well, technically). I’ve decided to start the day with a brief announcement about a contest via Writer’s Digest.

It involves writing a very short story (maximum 700 words) for the picture prompt that they provide on the site. If you win, your story will be published in an issue of the magazine under their “Your Story” section. Deadline is April 10th.

Follow this link for the full details:

http://www.writersdigest.com/your-story-competition/story-81-submit-now

Remember, “short” doesn’t mean “easy,” so be sure to give it your best. It will be good practice in writing and competition submission. Good luck!

 

Designed by Stephanie Hoogstad circa 2011